Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Vessel pa bail out out Hyeres millings of Roux am failing 1850 am exposing they characteristic of sillbuetterna bos they flush kompositbyggda vessel

ID: 49743

unknow artist Vessel pa bail out out Hyeres millings of Roux am failing 1850 am exposing they characteristic of sillbuetterna bos they flush kompositbyggda vessel
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unknow artist Vessel pa bail out out Hyeres millings of Roux am failing 1850 am exposing they characteristic of sillbuetterna bos they flush kompositbyggda vessel


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unknow artist

  Related Paintings of unknow artist :. | Self-portrait | The souls of the deceased on the scales | European city landscape, street landsacpe, construction, frontstore, building and architecture. 105 | Emily Jones | Still life with fruit |
Related Artists:
Prado, Blas del
Spanish, active 1545-99
Jean Portaels
Vilvorde, 1818 - Schaerbeek, 1895 was a Belgian orientalist painter and director of the Academy of Brussels. His father, a rich brewer, sent him to study at the Brussels Academy, whose Director, François Navez, took him on soon after in his own workshop. About 1841 Portaels went to Paris, where he was well received by Paul Delaroche. After his return to Belgium, he won the Grand Prix de Rome in 1842. He then travelled through Italy, Greece, Morocco, Algeria, Egypt, the Lebanon, Judaea, Spain, Hungary and Norway. On his return to Belgium in 1847 Portaels succeeded H. Vanderhaert as Director of the Academy in Ghent. In 1849 he married the daughter of his first teacher, Navez, and in 1850 he settled in Brussels; but when he did not get the post of Director of the Brussels academy, and wished, nevertheless, to carry on teaching as his father-in-law had done, he opened a private studio-school, which became one of great significance in the development of Belgian art. Once more he went on his travels, spending time in Morocco; he returned to Brussels in 1874, and in 1878 became Director of the Academy which had so long been the object of his ambition. Portaels was an extremely prolific artist. Huge oil paintings adorning the walls of St Jacques-sur-Caudenberg; biblical scenes, such as The Daughter of Sion Reviled, The Death of Judas, The Magi travelling to Bethlehem, Judiths Prayer, and The Drought in Judaea; genre pictures, such as A Box in the Theatre at Budapest , portraits of officials and of high society, Oriental scenes and, above all, pictures of exotic female figures and exotic life. "His work is usually marked by an easy grace, which he perhaps uses to excess", wrote Theophile Gautier. But his pleasing and abundant productions as a painter do not constitute Portaels' crowning merit.
Jules Guerin
Mural painter and Illustrator. American 1866-1946 American muralist, painter and illustrator. Guerin was born in St Louis, Missouri on November 18, 1866 and moved to Chicago to study art in 1880. Later he was to follow a parade of other American artists and architects of his day to Paris, where he studied with Benjamin-Constant and Jean Paul Laurens. Returning to America after his European sojourn, he began his career as an artist illustrating books, often travel books about exotic places. It is likely that these designs are based on his own travels through North Africa and Palestine. The designs that he did then as well as his ability to romantically depict exotic peoples and places stood him well later when he began painting murals. His mural work typically featured large areas of gold with vermilion, salmon and rose hues and blue and green accents. As with many of the artists of his time Guerin took an active part in the international expositions of his day, showing at the Paris Expo 1900, where he received an honorable mention, the Pan American Expo in Buffalo, New York, 1901, the Louisiana Purchase Expo held in St Louis in 1904 at which he won a silver medal, and the Lewis & Clark Expo in Portland, Oregon in 1905. In 1915, Guerin was asked to serve as color co-ordinator of the Panama Pacific International Exposition of 1915 in San Francisco. It is likely that connections that he made there led to his one man show at the University of California, Berkeley two years later, followed by several large murals in the Federal reserve Bank in San Francisco. Daniel Burnham, one of Chicago's most influential architects, and his colleague Edward H. Bennett were commissioned to create the Chicago Plan in 1907, a major milestone in the international City Beautiful movement. In pursuit of this effort, Burnham invited Guerin paint a series of renderings of Burnham and Bennett's proposed cityscape to complement the numerous maps and plans that gave more technical information. The majority of these original renderings--by Guerin and other artists--are in the collection of the Department of Architecture at The Art Institute of Chicago, while others are currently owned by the Chicago Historical Society. In 1903, he travelled to Pittsburgh Pennsylvania and painted "Pittsburgh as Hell with the Lid Off" for Lincoln Steffens, a renouned Muckraker. Lincoln Steffens mentions this in his autobiography. In 1912, when architect Henry Bacon began working on the Lincoln Memorial in Washington D.C., he hired Guerin to create renderings of his proposed designs. After he received the commission, Bacon retained Guerin to paint the two large murals, Reunion and Emancipation, that decorate the interior of the memorial, allegorical figures that today serve primarily as the backdrop to Daniel Chester Frenches Seated Lincoln statue.






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